ST BENEDICT'S BLESSING
Opening of Westminster
Cathedral Manuscript
of Julian of Norwich's Showing
of Love
N the early Middle Ages, the first two thirds of
Christianity, in monasteries and convents, women could be
equally learned as were men. These were Schools
for Prayer , living the Word of God, the Gospel, the
Bible. In the Twelfth Century, in Paris, the pagan
Greco-Arabic model of the university was subverted and adopted
by the Church. From its lecture halls, where theology now came
to be taught to authorized specialists, women were rigorously
excluded, only finding their way back partially into the world
of learning in our past century. Likewise with this learning,
minds became abstracted and divorced from soul and from body,
from the family, from women and children, concentrating upon
the rigor mortis of the intellect only, out of harmony
and balance to flesh and blood reality, to Creation. Many
monks and nuns have helped us, among them Father Gerard
Farrell OSB of St John's Abbey, Father Matthew Naumes,
formerly St Martin's Abbey, Father Finbar Boyle OSB of
Pluscarden Abbey, David Hugh Farmer, Don Bernardo Francesco M.
Gianni, OSB Oliv., P. Alberto E. Justo, O.P., Dame Benedict
OSB of St Mary's Abbey, Colwich, Dames Eanswith Edwards OSB
and Margaret Truran OSB of Stanbrook Abbey, Sister Victorine
Fenton OSB, Sister Anna Maria Reynolds, C.P., Sister Jane
Morrissey, S.S.J., Sister Patricia, O.S.S., Suor Chiara figlio
dell'uomo O.Carm, and Don Divo Barsotti, and many of our
younger participants have now become monks and nuns. In this
website, this 'School of Charity', crafted by both men and
women, and also by their children, is a wealth of learning for
men and women and children, culled through time from
spiritual, rather than temporal, sources, from collaborative,
not competitive, communities. Imagine this composite website
as your monastic library, your scriptorium, all within your
anchorhold, for free, unlike secular universities, to read in
prayerful contemplation.
William Langland, Julian's contemporary, remembers his schooling at Benedictine Malvern Priory:
Piers Plowman B.X.300-303
Norwich
Cathedral
Welcome. And
place a Gregorian Chant CD, like those produced by the Abbey of
San Domingo de Silos in Spain, the while in your computer . . .
Saint Benedict The Rule I, II, III In LatinJULIAN OF NORWICH, HER SHOWING OF LOVE AND ITS CONTEXTS ©1997-2022 JULIA BOLTON HOLLOWAY || JULIAN OF NORWICH || SHOWING OF LOVE || HER TEXTS || HER SELF || ABOUT HER TEXTS || BEFORE JULIAN || HER CONTEMPORARIES || AFTER JULIAN || JULIAN IN OUR TIME || ST BIRGITTA OF SWEDEN || BIBLE AND WOMEN || EQUALLY IN GOD'S IMAGE || MIRROR OF SAINTS || BENEDICTINISM|| THE CLOISTER || ITS SCRIPTORIUM || AMHERST MANUSCRIPT || PRAYER || CATALOGUE AND PORTFOLIO (HANDCRAFTS, BOOKS ) || BOOK REVIEWS || BIBLIOGRAPHY || Webmaster Rev. Matthew NaumesSaint Gregory the Great Dialogues II, on Saint Benedict
Sister Jane Morrissey, SSJ. Saint Gregory on Saint Scholastica
Father Gerard Farrell, OSB. Equally in God's Image: Women in the Middle Ages, Chapter 5 with the music of the Office of Saints Benedict and Scholastica
Before Julian:
Mary's Dowry Newest
Caedmon and Hilda The Dream of the Rood: The Earliest English Poem
A Monk or Nun at Whitby The Earliest Life of St Gregory
Maria Makepeace The Codex Amiatinus: A Northumbrian Manuscript in a Florentine Library
Alexandra H. Olsen Saint Lioba and Saint Boniface
Alexandra H. Olsen Saint Pega and Saint Guthlac, Hermits
Alexandra H. Olsen Saint Pega and Saint Guthlac in the South-East English Legendary
Terence through Time, Terence of Africa's Comedies preserved in Benedictine monasteries influencing further dramas including those of Hrotswitha of Gandesheim and the Orleans 201 Liturgical Dramas, Resuscitatio Lazari and Officium Peregrinorum
Hildegard von Bingen: The Monastic Context
Sister Victorine Fenton, OSB. 'Columba aspexit'; Hildegard's Sequence in Honour of St Maximus
Saint Umiltą of Faenza: Contemplating on Holy Humility
Julian's Time:
Mary's Dowry Newest
David Hugh Farmer John Whiterig, OSB., Hermit of Farne, Contemplating the Crucifixion
Anchoress and Cardinal: Julian of Norwich and Adam Easton OSB: Norwich Cathedral, 1 December 1998
Textual Communities and Gendered Audiences: The Cloud of Unknowing and Julian of Norwich
Julian of Norwich Showing of Love, The Westminster Cathedral Manuscript
Dom Finbar Boyle, OSB, Julian's Raindrops from Eaves
Mary's Dowry Newest
The Showing's Scribes as Julian's Editors
Julian in a Nutshell: The Manuscripts of the Showing and Their Contexts
Walter Hilton OSA, Augustine Baker and Serenus Cressy OSB, The Parable of a Pilgrim Newest
Dames Margaret Gascoigne/Bridget More, OSB. Contemplating on Julian
Dame Barbara Constable, OSB. The Upholland Manuscript
An English Nun in Exile Colections
Archbishop Fenelon's Letters to Madame Guyon in a Benedictine Nun's Manuscript
Dame Gertrude More OSB On Dom Augustine Baker, OSB, Way of Prayer
Dame Catherine Gascoigne OSB On Dom Augustine Baker, OSB, Way of Prayer
Don Divo Barsotti Ascolta, O Figlio: Commentary on the Rule of St Benedict
Teaching Ourselves: A Monastic Studies Programme in Florence
Don Bernardo Francesco M. Gianni, OSB Oliv 'Si revera Deum quaerunt': Un tentativo di sintesi della spiritualitą benedittina
italiano
Fr. Alberic Farbolin, OSB, New Melleray Abbey, Song of Songs: A Cistercian Retreat
Our library (the Mediatheca Bottega Fioretta Mazzei in the 'English' Cemetery in Florence), like our website and its companion CDs, is monastery friendly. Father Finbar, OSB., of Pluscarden Abbey, and our library in a cemetery as hermitage in Florence happily exchange and loan contemplative books. And he has sent these two images, one of himself out walking 'the kids', in Scotland, the other of contemplative Carthusian Mount Grace Priory, in Yorkshire.
We recommend most highly the film, Into Great Silence.
An interesting example of initialism is the St Benedict medal (origin in 15th cent.? 17th cent.?), which includes the sequences:
CSSML NDSMD (Crux sacra sit mihi lux! Nunquam draco sit mihi dux!); andVRSNSMV SMQLIVB (Vade retro Satana! Nunquam suade mihi vana! Sunt mala quae libas. Ipse venena bibas!)
If you have used and enjoyed this page please
consider donating to the research and restoration of
Florence's formerly abandoned English Cemetery by the Roma and its Library through our Aureo Anello Associazione's account with PayPal: Thank you! |