JULIAN OF NORWICH, HER SHOWING OF LOVE AND ITS CONTEXTS ©1997-2017 JULIA BOLTON HOLLOWAY  || JULIAN OF NORWICH  || SHOWING OF LOVE || HER TEXTS || HER SELF || ABOUT HER TEXTS || BEFORE JULIAN || HER CONTEMPORARIES || AFTER JULIAN || JULIAN IN OUR TIME ||  ST BIRGITTA OF SWEDEN  ||  BIBLE AND WOMEN || EQUALLY IN GOD'S IMAGE  || MIRROR OF SAINTS || BENEDICTINISM|| THE CLOISTER || ITS SCRIPTORIUM  || AMHERST MANUSCRIPT || PRAYER|| CATALOGUE AND PORTFOLIO (HANDCRAFTS, BOOKS ) || BOOK REVIEWS || BIBLIOGRAPHY Equally in God's Image: Women and the Middle Ages, originally published, New York and Berne, Peter Lang Publishing, 1990, E-Book.
 

EQUALLY IN GOD'S IMAGE: WOMEN IN THE MIDDLE AGES

BIBLIOGRAPHY

See also Julian of Norwich, Bibliography
 
 

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________ and Heloise. The Letters of Abelard and Heloise. Trans. Betty Radice. Harmondsworth: Penguin, 1974.
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Babcock, Barbara, ed. The Reversible World. Ithaca: Cornell University Press, 1978.
Bagoly, Suzanne. 'Christine de Pizan et l'art de 'dictier' ballades', Le Moyen Age, 92 (1986), 41-67.
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Barth, Pudentiana, M. Immaculata Ritscher and Joseph Schmidt-Gorg, eds. Hildegard von Bingen: Lieder: Nach den Handschriften herausgegeben. Salzburg: Otto Muller, 1969.
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_________. Joan of Arc: Heretic, Mystic and Shaman. Lewiston: Edwin Mellen Press, 1986.
_________. "Women as Healers, Women as Witches." Old Westbury Review, 2 (1986).
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Bede. Ecclesiastical History of the English People. Ed. Bertram Colgrave and R.B. Mynors. Oxford: Clarendon Press, 1969. Trans. History of the English Church and People. Leo Sherly Price, rev. R.E. Latham, ed. Charles Plummer. Harmondsworth: Penguin, 1968.
Bell, Rudolph. Holy Anorexia. Chicago: University of Chicago Press, 1985.
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_________. "Medieval Book Owners: Arbiters of Lay Piety and Ambassadors of Culture." Signs: Journal of Women in Culture and Society, 7 (1982), 742-767. Republished in Women and Power in the Middle Ages, Ed. Mary Erler and Maryanne Kowaleski. Pp. 149-187.
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_________. The Middle-English Versions of the Rule of St. Benet and two Contemporary Rituals for the Ordination of Nuns. Ed. E.A. Kock. Oxford: University Press, 1902. EETS OS 120.
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________. Women in the Medieval English Countryside: Gender and Household in Brigstock Before the Plague. New York: Oxford University Press, 1987.
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_______. "Trotula, Women's Problems and the Professionalization of Medicine in the Middle Ages," Bulletin of the History of Medicine, 59 (1985), 30-53.
Berger, Pamela. The Goddess Obscured: Transformation of the Grain Protectress from Goddess to Saint. Boston: Beacon Press, 1986.
Berkvam, Doris Desclais. Enfance et maternité dans la litterature française des XIIe et XIIIe siècles. Paris: Champion, 1981.
Berman, Constance H., Charles W. Connell and Judith Rice Rothschild, eds. The Worlds of Medieval Women: Creativity, Influence and Imagination. Morgantown: West Virginia University Press, 1985. Bevington, David. Medieval Drama. Boston: Houghton-Mifflin, 1973. Pp. 202-223.
Bible. Especially Genesis, Exodus, Leviticus, Proverbs, Judith, Ruth, Song of Solomon, Gospels, Acts, Epistles, Apocalypse, Apocrypha.
Bijns, Anna. Mary of Nijmeghen. Trans. Eric Colledge. In Petroff, Elizabeth, ed. Medieval Women's Visionary Literature. Pp. 355-372.
Bilton-Jackson, Livia. Madonna or Courtesan? The Jewish Woman in Christian Literature. New York: Seabury Press, 1981.
Bitel, Lisa M. "Women's Monastic Enclosures in Early Ireland: A Study of Female Spirituality and Male Monastic Mentalities." Journal of Medieval History, 12 (1986), 15-36.
Blanchard, Joël. 'Christine de Pizan: les raisons de l'histoire'. Le Moyen Age, 92 (1896), 417-36.
Bloch, Marc. Feudal Society. Trans. F.A. Manyon. Chicago: University of Chicago Press, 1961.
Bloch, R. Howard. 'Medieval Misogyny'. Representations, 20 (1989), 1-24.
_______. 'Silence and Holes: The Roman de Silence and the Art of the Trouvère'. Yale French Studies, 70 (1986), 81-99.
_______ and Frances Fergusson, eds. Misogyny and Misanthropy. Berkeley: University of California Press, 1989.
Bloch, R. Howard. "Silence and Holes: The Roman de Silence and the Art of the Trouvère." Yale French Studies, 70 (1986), 81-99.
Boccaccio, Giovanni. Concerning Famous Women. Trans. Guido A. Guarino. New Brunswick: Rutgers University Press, 1963.
__________. De claris mulieribus. Trans. Henry Parker, Lord Morley. Ed. H.G. Wright. Oxford: University Press, 1943. EETS OS 214.
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St. Boniface. The English Correspondence of Saint Boniface Being for the Most Part Letters Exchanged between the Apostle of the Germans and his English Friends. Trans. Edward Kylie. London: Chatto and Windus, 1911.
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Boulding, Elise. The Underside of History: A View of Women through Time. Boulder: Westview Press, 1976.
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___________. Revelations: St. Birgitta of Sweden. Ed. Anthony Buktovich. Los Angeles: Ecumenical Foundation of America, 1972.
___________. The Revelations of St. Birgitta, from Garrett MS, Princeton University. Ed. W.P. Cumming. Oxford: University Press, 1929. EETS OS 178.
Brieger, Peter, Millard Meiss and Charles Singleton. Illuminated Manuscripts of the Divine Comedy. Princeton: University Press, 1969. 2 vols.
Bromberg, Joan Jacobs. Fasting Girls. The History of Anorexia Nervosa. New York: Penguin, 1989.
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________. "Prostitution in Medieval Canon Law." Signs, 1 (1976), 825-845.
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Bullough, Vern. "Medieval Medical and Scientific Views of Women." Viator, 4 (1973), 485-501.

______. The Subordinate Sex: A History of Attitudes towards Women. Urbana: University of Illinois Press, 1973.
______. "Transvestism in the Middle Ages." In Sex, Society and History. New York: Science History Publications, 1976.
______ and James Brundage. Sexual Practices and the Medieval Church. Buffalo: Prometheus Books, 1984.
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_______. Revelations: St. Birgitta of Sweden. Los Angeles: Ecumenical Foundation of America, 1972. Bynum, Caroline Walker. ' . . . And Woman His Humanity: Female Imagery in the Religious Writing of the Later Middle Ages'. In Gender and Religion: On the Complexity of Symbols. Ed. Caroline Walker Bynum, Stevan Harrell and Paula Rickman. Boston: Beacon Press, 1986.
_________."Fast, Feast and Flesh: The Religious Significance of Food to Medieval Women," Representations, 11 (1985), 1-25.
_________. Holy Feast and Holy Fast. Berkeley: University of California Press, 1986.
_________. Jesus as Mother: Studies in the Spirituality of the High Middle Ages. Berkeley: University of California Press, 1982.
_________. 'Women's Stodies, Women's Symbols: A Critique of Victor Turner's Theory of Liminality'. In Anthropology and the Study of Religion. Ed. Frank Reynolds and Robert Moore. Chicago: Center for the Scientific Study of Religion, 1984. Pp. 105-125.
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Chaucer in the Eighties. Ed. Julian Wasserman and Robert J. Blanch. Syracuse: Syracuse University Press, 1986.
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___________. Ditie de Jehanne d'Arc. Ed. and trans. Angus J. Kennedy and Kenneth Varty. Oxford: Society for the Study of Medieval Languages and Literature, 1977.
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___________. The Lyric Poetry of Christine de Pizan. Ed. and trans. Nadia Margolis. New York: Garland Press, 1985.
For manuscript illuminations: Francoise du Castel. Demoiselle Christine de Pizan: Veuve de M. Etienne de Castel, 1364-1431. Paris: Picard, 1972; Millard Meiss. French Painting in the Time of Jean de Berry: The Limbourgs and their Contemporaries; Sandra L. Hidman, Christine de Pizan's 'Epistre Othéa': Painting and Politics at the Court of Charles VI.
For bibliography: Kennedy, Angus J. A Bibliographical Guide. London: Grant and Cutler, 1984; Yenal, Edith. A Bibliography of Writings, Metuchen: Scarecrow, 1982.
Revue des Langues Romanes, 92 (1988) is dedicated to studies in Christine de Piza.
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_______. "Medieval Marriage Characteristics: A Neglected Factor in the History of Medieval Serfdom." Journal of Interdisciplinary History, 2 (1971- 2), 205-219.
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________. Production of Church Music-Drama. Charlottesville: University of Virginia Press, 1972. Colliot, Régine. "Un example de révolte et de libération feminines au XIIIe siècle: la fille du comte de Pontieu." Annales de la Faculté des Lettres et Sciences Humaines de Nice, 48 (1984), 105-115.
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__________. Letters and Letter Collections. Turnholt: Brepols, 1976.
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_______. Insular Romance: Politics, Faith and Culture in Anglo-Norman and Middle English Literature. Berkeley: University of California Press, 1986.
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__________. "Women in the Crafts in Sixteenth-Century Lyon." In Hanawalt, Barbara, ed. Women and Work in Preindustrial Europe.
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_________. 'Mothers to Think Back Through: Who are They? The Ambiguous Example of Christine de Pizan'. In Medieval Texts and Contemporary Readers. Ed. Laurie Finke and Martin Schihtman. Ithaca: Cornell University Press, 1987.
________. 'Rewriting Woman Good: Gender and the Anxiety of Influence in Two Late Medieval Texts'. In Chaucer in the Eighties, ed. Julian Wasserman and Robert J. Blanch.
_________."Sexual Economics: Chaucer's Wife of Bath and the Book of Margery Kempe." Minnesota Review, 5 (1975), 104-115.
_________. Writing Women: Women Writers and Women in Literature, Medieval and Modern. New York: Schocken, 1988.
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1990 Notes on Contributors

I
Jane Barr, Oxford University and Divinity School, Vanderbilt University, has published on Jerome, her paper coming to us because Anthony Luttrell heard it presented at Princeton's Institute for Advanced Study. It was originally published in Studia Patristica, 118 (1982) and in the South Africa Old Testament Society journal, O.T.S.W.A.
Joan Bechtold wrote her master's thesis on Matilda, Catherine and Birgitta at the University of Colorado, Boulder, was accepted at the University of Toronto for Medieval Studies, is co-editor of this volume and is studying law at the University of Denver College of Law..
Adelaide Bennett, art historian, of the Index of Christian Art, Princeton University, specializes in English medieval manuscripts. Her article originally appeared in Source: Notes in the History of Art, 2 (1982), 2-5.
Father Gerard Farrell, O.S.B., former chant master, St. John's Abbey, teaches at Westminster Choir College, Princeton; with Julia Bolton Holloway, produced several music dramas from Orléans 201, Fleury Playbook at Princeton University, including two on Mary Magdalen.
Gail McMurray Gibson is Macarthur Associate Professor of English and Humanities at Davidson College, writes on medieval drama and has published with University of Chicago Press, The Theater of Devotion: East Anglian Drama and Society in the Middle Ages. 'The Thread of Life in the Hand of the Virgin' appeared in the catalogue 'Sylvia Heyden: Recent Tapestries' (Durham: Duke University Museum of Art, 1972)..
Laura F. Hodges, at the American Embassy in Moscow, did her doctorate at Rice University, her bachelor's in Home Economics.
Julia Bolton Holloway, Director of the Medieval Studies Program, University of Colorado, Boulder, editor of this volume, publishes on medieval pilgrimage, liturgical drama and Brunetto Latino.
Pamela Loos-Noji, Department of Art, University of Chicago, is completing her PhD dissertation.
Anthony Luttrell, Bath, England, studies the Hospitallers of Rhodes, became interested in the Englishwomen in Jerusalem while working on Chaucer's Knight, a Fellow of the Royal Historical Society he has numerous publications.
Elizabeth M. Makowski completed her PhD course work in medieval history at Harvard, published with comparatist Katharina Wilson, Wikked Wives and the Woes of Marriage: Misogynous Literature from Juvenal to Chaucer, State University of New York Press. Her essay originally appeared in the Journal of Medieval History, 3 (1977), 99.114, where Chaucer and other literary scholars are unlikely to find it.
Sister Jane Morrissey, S.S.J., teaches English at the College of Our Lady of the Elms, sees Benedict and Scholastica as a paradigm for dialogue today.
Liesel Nolan is an art historian and librarian of the Art and Architecture Library, University of Colorado, Boulder, who has also helped obtain permissions for this volume's illustrations.
Elizabeth Robertson, Associate Professor of English, teaches medieval and women's literature at the University of Colorado, Boulder, and has two books on women in the Middle Ages.
Ester Zago, educated in Italy, teaches French and Italian at the University of Colorado, Boulder, works on the origins of fairy tales.

II

Sharon Ady of the University of Toronto networked on a study of women's wills in the Middle Ages throughout Europe. Mark Amsler, Department of English, University of Delaware, almost let us have his essay on the Wife of Bath, 'Sexuality and Textuality'. We borrowed his title. Lauren Jackson Beck, when a Boulder undergraduate student, wrote on Boethius and Heloise' use of consolatory repetition. Diane Dolan Bennett, a musicologist, resides in Canada, shared information on nuns and music from manuscript evidence. Elise Boulding, of the University of Colorado, Boulder, and Dartmouth, who wrote The Underside of History, encouraged us. Annamarie Weyl Carr, art historian and Byzantinist, Southern Methodist University, contributed bibliography on women artists, Byzantine women. Jane Chance, Department of English, Rice University, gave important material on Anglo-Saxon women, on which, among numerous other subjects, she has published. Natalie Zemon Davis, Department of History, Princeton University, networked for us. Alan Deyermond, Westfield College, University of London, contributed Spanish bibliography and material on Spanish women letter writers. Ann Douglas, Columbia University, gave this volume the perception of "Feminization." Oliver Ellsworth, musicologist, of the University of Colorado's College of Music, discovered that an Ege Portfolio manuscript leaf was of music from an English medieval convent. Sr Victorine Fenton, O.S.B., is a musicologist, resides at Mount St. Benedict and was its Prioress, writes on Hildegard of Bingen. Renata and James Fernandez, anthropologists, Princeton, Chicago and Spain, with whom I team-taught Problems in World Hunger at Princeton's Woodrow Wilson School, learning that the key factor for increased life expectancy and reduced infant mortality, family size was not wealth, GNP, but education, literacy amongst the women. Hardy Long Frank, University of Colorado, Boulder, contributed information on Chaucer's Prioress. SunHee Kim Gertz teaches English at Clark University, specializes in medieval critical theory and feminism, shared with us material on male writers writing on women, turning flesh into word, sexuality into textuality. Monica H. Green at Princeton team-taught a course on women in the Middle Ages which initiated this volume, now teaches at Duke University, her field, History of Science, especially women's medical texts. William Jordan, Department of History, Princeton University, was tempted to contribute an article on Blanche of Castille. Harold Kane, University of Colorado, Boulder, advised Elizabeth Robertson on her essay on Anchoresses. Jeanne Krochalis, Pennsylvania State University, New Kensington, works with medieval English manuscripts and medieval Latin, gave to this volume the concept of the paradigm shift from Romanesque to Gothic from her essay, 'Medieval Women: Shafted by the Pedestal of Courtly Love?' in Roots and Realities: Changing Images of Women, pp. 46-61. Traugott Lawler, English, Yale University, contributed information on misogynist texts, "Jankyn's Book." Edward Peter Nolan, Associate Professor of English and Comparative Literature, University of Colorado, Boulder contributed information on Latin and vernacular texts. We use his use of 'She Stoops to Conquer' for vernacular languages. Paul Olson, Department of English, University of Nebraska, suggested theme of literacy and encouraged us. Jean Preston, Curator of Rare Books and Manuscripts, Princeton, provided information concerning that collection and medieval women, for example, Aethelgifu's Will and the Revelations of St. Birgitta. Barbara Reynolds, of Cambridge, England, contributed an essay on M.A. Orr, who, self-taught, wrote most learnedly on Dante's astronomy. That section of the book, on women medievalists, will be published separately. D.W. Robertson, Jr., and John V. Fleming, Princeton University, by their dialectic, helped make us medieval feminists. Philip Roughton, when an undergraduate student at Boulder studying Arabic, Chinese, Old Icelandic, wrote on an Icelandic pagan analogue to "Dream of the Rood." Richard J. Schoeck, Erasmus scholar, was prime mover of this book. R.W. Southern (now Sir Richard), Oxford, by his encouragement, made us feminists. Amy Vandersall teaches Art History at the University of Colorado, Boulder, is a medievalist, and, like Jeanne Krochalis, provided evidence for the paradigm shift from Romanesque to Gothic. Ann Waldron wrote on Rosalie Green and Herrad of Landsburg's Hortus Deliciarum. Elizabeth White, a graduate student at the University of Colorado, Boulder, provided useful bibliography on medieval women mystics. Bonnie Wheeler, Department of English, Southern Methodist University, worked on Anna Comnena.

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